“Sinners” - Movie Review

The Blues, Myths, and Vampires: Why “Sinners” is a Cinematic Triumph

movie poster from Sinners

The blues have never felt so powerful. Ryan Coogler's “Sinners”, starring the ever-talented Michael B. Jordan, is a journey through music, myths, and the supernatural—a must-watch for anyone who loves storytelling at its finest.

I had the pleasure of watching this masterpiece with my son, who had a hunch I might enjoy it. That hunch turned out to be a massive understatement. From the opening scene, “Sinners” pulls you into its world, blending the rich history of the Mississippi Delta with the haunting allure of blues music. The film doesn’t shy away from the good, the bad, and the ugly of history, weaving these elements seamlessly into a traditional vampire tale. And just when you think it’s over, it wraps up with a Marvel-esque conclusion that ties up its narrative arc while teasing the possibility of more to come.

What makes “Sinners” stand out is its ability to linger in your mind long after the credits roll. It’s not just a movie—it’s an experience. The music, the myths, and the setting all come together in a way that’s unforgettable. For me, it’s the best original movie I’ve seen since the 1980s, a true cinematic triumph.

Ryan Coogler has once again proven his genius, crafting a film that’s as much about the soul of the blues as it is about the supernatural. If you haven’t seen “Sinners” yet, do yourself a favor and dive into this extraordinary world. It’s a story that will stay with you, haunting and inspiring in equal measure.

Three of my guitar heroes played a part in “Sinners”, making the movie deeply personal for me. Buddy Guy, my first blues guitar hero, was featured in a way that felt both skillful and heartfelt—a fitting tribute to a man whose perseverance has shaped the genre. 

The film also included a cameo by Christone “Kingfish” Ingram, whose presence added a fresh and electrifying touch. And then there was Eric Gales, whose searing, one-of-a-kind playing at the movie's climax was nothing short of breathtaking. For a blues-loving guitarist like me, “Sinners” was a celebration of the music I hold dear—a true testament to “Finding Joy in the Blues.”